Music

Rethinking the Repertoire #22 – Florence Price’s “Mississippi River Suite”

June 6, 2018
Posted in , , , ,

Composer Florence Price’s lack of acceptance into the American canon is shameful.

Festival Preview: Disc Jam — Still Showcasing Freedom Music

June 5, 2018
Posted in , , , ,

The best festivals, like Disc Jam, build and deliver music-fueled experiences.

Rethinking the Repertoire #21– Alban Berg’s “Altenberg-Lieder”

June 2, 2018
Posted in , , , ,

The Altenberg-Lieder feature Alban Berg at his most direct and concise, as well as his most sumptuous.

Jazz CD Review: “Heart of Brazil” — Homage to Egberto Gismonti

May 29, 2018
Posted in , , ,

While perhaps not more than the sum of its parts — that would be hard to imagine — the music on this tribute disc has its own vitality and stands well on its own.

Music Feature: Alt-Country Singer Kelly Willis — Blue Again

May 29, 2018
Posted in , ,

“I’m happy with where I am in my career. I know what I want to do and can do it. I just enjoy it.”

Jazz CD Review: “The Genius of Eddie Jefferson” — Performed by Allan Harris

May 24, 2018
Posted in , , ,

Singer Allan Harris clearly loves Eddie Jefferson’s music and performs it with sincerity and chops.

Jazz CD Review: Larry Goldings’s “Toy Tunes” — A Diverting Trio

May 22, 2018
Posted in , , ,

The music and performances on this delightful trio album are blithe and profound, a combination that should charm many listeners.

Jazz CD Review: Vocalist Kurt Elling’s Simple “Questions”

May 21, 2018
Posted in , , ,

For my taste, some of the songs on Kurt Elling’s The Questions simply aren’t challenging or interesting enough.

Concert Review: Boston Lyric Opera’s all-Bernstein Double-bill

May 20, 2018
Posted in , , , ,

The BLO’s production was one of the troupe’s true staging triumphs of late, transforming the Steriti Ice Rink into a 1950s-style nightclub.

Classical CD Review: Andrew Manze and Vaughan Williams, Andris Nelsons and Anton Bruckner

May 19, 2018
Posted in , , ,

Andrew Manze and the RLPO have turned in one of the year’s great albums: potent, lyrical, haunting, and timely.

Recent Posts

Popular Posts

Categories

Archives