Music
For poet Philip Levine, music is not only a good thing in life: the good things in life are music.
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Musically, everything clicked in Boston Musica Viva’s annual Family Concert.
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“You can be certain that when the show begins and you hear “Mack the Knife,” the choreography will suggest scenes of slashing and murdering.”
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Throughout the night, CpM music director Jamie Kirsch kept tempos lively and never lost sight of the overarching shape of each of the evening’s big pieces.
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Max Bruch’s music is smart, strong, crafty, and, often, quite endearing.
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Bob Brookmeyer’s great contribution was to make it seem as though anything is possible — and permissible –in the big band context.
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On the occasions that Bob Weir and Phil Lesh performed as a legitimate duo the concert attained some of its more transcendent peaks.
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From a compositional standpoint, too, Chamber Dance is an example of Tower at her engaging best.
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The music on Accent’s album is lovely and the singers render the arrangements with skill and commitment.
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Their combined sound, made by two nested pianos, their lids off, aided and abetted by Jordan Hall’s superb acoustics, was irresistible.
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