Music

Jazz Review: Montreal Jazz Festival — An Ecosystem That Celebrates Sound

July 10, 2018
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Berber guitarist Omara “Bombino” Moctar proved that the gifts behind the fingers are still all that matters.

Music Review: Wheels of Soul 2018 — An Impassioned Trio of Bands

July 9, 2018
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This edition of Wheels of Soul works just fine as a display of post-Allman Brothers Band/post-Lynyrd Skynyrd/ post-Tom Petty musical sensibilities shaped in the South.

Music Commentary: Jazz at Lincoln Center Orchestra — Women are Locked Out

July 9, 2018
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“They travel the world and have for years,” says Ellen Seeling, “sending the message that there are no women good enough to be in this organization.”

Jazz Review: Second Dispatch from the 39th Montréal Jazz Festival

July 8, 2018
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One of the most astonishing sets of my week in Montreal featured two Frenchmen, accordionist Vincent Peirani and soprano saxophonist Émile Parisien.

Jazz Review: A Dispatch from the 39th Montréal Jazz Festival

July 7, 2018
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Among the festival’s highlights: pianist-singer Jeremy Dutcher, who arrived on the stage of the tiny space Gésu dressed in shorts and a long flowing black robe with a hood.

Classical CD Review: “Between The Notes – Music For Violin and Piano”

July 6, 2018
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Pianist Constantine Finehouse and violinist Daniel Kurganov are well-matched musicians, and have recorded a superb album.

Jazz Concert Review: Nels Cline 4 — Mindbenders

July 5, 2018
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Nels Cline 4 is a group that can cross musical and cultural boundaries with exhilarating ease.

Jazz CD Review: Lionel Loueke’s “Close Your Eyes”

July 3, 2018
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Lionel Loueke is a unique voice, who has managed to bring a number of influences together without weakening or undermining any of them.

Music Commentary: The Vinyl Resurgence

July 3, 2018
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For the moment, it is refreshing to see how carefully the music is being recorded and packaged.

CD Review: Summer Classics…with Strings Attached — The Beach Boys with the Royal Philharmonic Orchestra

July 3, 2018
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Why would anyone think a good-time rocker like “Fun, Fun, Fun” needed strings?

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