Music

Music Feature: Gimme Radio — Making Streaming Human

July 20, 2020
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Gimme Radio brings the human element to streaming by relying on DJs to curate playlists and provide context to what listeners are experiencing.

Jazz Album Review: Pablo Ablanedo’s “Chistreza” — Rhythmic Bounty

July 18, 2020
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Every piece here seems to play by its own rhythmic rules, and yet nowhere does the music sound academic or formal.

Album Review: “Is It Selfish If We Talk About Me Again” — Kacy Hill Goes Intimate

July 18, 2020
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Freed from the pressures of recording for a major label, Kacy Hill has created an album that feels surprisingly personal.

Concert Review: Billy Strings’s Streaming Strings Tour — Virtual but Unbridled

July 18, 2020
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If the first set was all about reminding us the breadth and depth of the talent in Billy Strings’ combo, the second set was all about dynamics and power.

Arts Commentary: Reviewing Music, Re-viewed

July 14, 2020
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Our opera-loving reviewer contrasts his own pieces, written 48 years apart, on the same Offenbach operetta.

Performing Arts Series: Stories of Surviving COVID-19 — Non-Event

July 13, 2020
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What lies beyond COVID-19 for the arts community?

Book Review: “The Heart of a Woman” — The Life and Music of Florence B. Price, America’s First Important Black Woman Composer

July 13, 2020
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It wasn’t until 2009 that a trove of Florence B. Price scores was discovered in a dilapidated house in down-state Illinois and a revival of interest in this most remarkable of composers began in earnest.

Album Review: Khruangbin’s “Mordechai” — Mostly Musical Wallpaper

July 10, 2020
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Khruangbin’s principal strength lies in how well the musicians manage to fit together

Jazz Album Review: “Ballads for Two — Chet Baker and Wolfgang Lackerschmid”

July 8, 2020
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The playing on this 1979 album, which would generally be considered as flawed, is part of the singular (mature) Chet Baker gestalt.

Jazz Album Review: Dave Pietro’s “Hypersphere” — Complexity, Made Clear

July 7, 2020
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Dave Pietro is a fine, distinctive composer, an agile, precise saxophonist, and a band leader to be trusted.

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