Music

Pop Review: Glass Animals Lose Their Voice

August 12, 2020
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The Oxford band’s third album dispenses with personality in favor of bland trap pop.

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Film Review: “Jazz on a Summer’s Day” — A Contrarian View

August 12, 2020
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This is not a music documentary, it’s a kind of jaunty-artsy immersion in and around the Newport Jazz festival, including scenes of the host city Newport, the America’s Cup race, festival goers, kids in playgrounds, etc.

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Classical CD Reviews: A Roundup of Beethoven Symphonies

August 11, 2020
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Evaluations of a smorgasbord of Beethoven symphony recordings.

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Jazz Commentary: Russell’s “Hustle,” The Duke of Ellington, and Me

August 9, 2020
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What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?

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Jazz Album Review: What “Data Lords” Says About the Remarkable Career of Maria Schneider

August 9, 2020
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“The sun and everything in this world is there waiting for us—patiently and loyally. To feel its power, we just need to make the choice to get up, go out, look up and connect to its magnificence.” That is really, truly, there in the music.

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Music Album: Liv.e’s “Couldn’t Wait to Tell You …” — A Singular Meditative Headspace

August 9, 2020
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Couldn’t Wait to Tell You… is a well-paced, cohesive narrative, an exploration of the struggle for adulthood and independence. The title of Liv.e’s debut album is apt — it has exciting news to tell us.

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Jazz Appreciation: Rahsaan Roland Kirk — A Musical Force Field

August 8, 2020
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If there’s ever been a more distinctive jazz musician than Rahsaan Roland Kirk, you’ll have to prove it to me.

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Jazz Album Review: Jimmy Heath’s Final “Love Letter”

August 7, 2020
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The disc mixes classics and originals in a set of tunes perfect for late-night reveries or for anytime sojourns to a place of unhurried passion.

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Rock Album Review: New Fries — Surfing On and Off the No Wave

August 6, 2020
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New Fries’ latest effort never fails to stimulate: the band has crafted a record that challenges the idea of what a pop song is and can be — in two very different ways.

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Opera Album: A Deliciously Grisly “Comic Opera” from 1789 — the Year the French Revolution Began

August 4, 2020
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Grétry’s Raoul Barbe-Bleue — the story of the original lady-killer, Bluebeard — receives its world premiere recording and it’s splendid.

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