Music
The magazine’s jazz critics look back over the past year and highlight their favorites — performances, recordings, and books.
Read MoreDaniil Trifonov’s Silver Age pays bracing tribute to fin-de-siecle and post-Revolutionary Russian music; Jonathan Leshnoff’s Third Symphony is smartly-written and affecting. What happens when tenors Lawrence Brownlee and Michael Spyres team up for an album of duets and ensembles from various Rossini operas? Fireworks.
Read MoreWhen Charley Pride did display anger, it concerned how the country music establishment treated older artists.
Read MoreViolinist James Ehnes and pianist Andrew Armstrong’s Beethoven violin sonatas feel and sound absolutely right; Quatuor Ébène’s comes up with one of this anniversary year’s few, true benchmark releases; Nikolai Lugansky’s traversal of three of Beethoven’s late piano sonatas is often admirable.
Read MoreTrumpeter Doc Severinsen had the right combination of talent and showmanship to reach and stay in the spotlight, and he adjusted the pieces of his life to maintain his singular place.
Read MoreUri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.
Read MoreThis strange year became, for this opera lover, a chance to explore new—or even world-premiere—recordings of little-known repertory. When musical life returns to semi-normal, perhaps we can be treated to live performances of some of these amazing works.
Read MoreJean Dawson’s Pixel Bath is one of the most exciting releases I’ve heard this year.
Read MoreThese tunes are not just good to listen to, but also serve a purpose by sending a message, whether it be to raise a voice in protest or entice reflection.
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Jazz Appreciation/Album Review — Carla Bley, 84 and Counting
Carla Bley’s last three CDs are not a casual sequence, and hearing all of them together, as I did recently, provides a refreshing reminder of her greatness.
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