Music

Arts Feature: Significant Jazz Experiences, 2020

December 14, 2020
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The magazine’s jazz critics look back over the past year and highlight their favorites — performances, recordings, and books.

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Classical CD Reviews: Russia’s Silver Age, “Amici e Rivali,” and Jonathan Leshnoff’s Symphony no. 3

December 14, 2020
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Daniil Trifonov’s Silver Age pays bracing tribute to fin-de-siecle and post-Revolutionary Russian music; Jonathan Leshnoff’s Third Symphony is smartly-written and affecting. What happens when tenors Lawrence Brownlee and Michael Spyres team up for an album of duets and ensembles from various Rossini operas? Fireworks.

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Arts Remembrance: Charley Pride — The Man Who Sang Honky-Tonk Best

December 13, 2020
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When Charley Pride did display anger, it concerned how the country music establishment treated older artists.

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Classical CD Reviews: Beethoven Chamber Music, Part 2 – James Ehnes plays Violin Sonatas, Quatuor Ébene’s “Beethoven Around the World,” Lugansky Performs the Late Piano Sonatas

December 12, 2020
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Violinist James Ehnes and pianist Andrew Armstrong’s Beethoven violin sonatas feel and sound absolutely right; Quatuor Ébène’s comes up with one of this anniversary year’s few, true benchmark releases; Nikolai Lugansky’s traversal of three of Beethoven’s late piano sonatas is often admirable.

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Film Review: “Never Too Late: The Doc Severinsen Story” — The Life of a Jazz Phenomenon

December 12, 2020
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Trumpeter Doc Severinsen had the right combination of talent and showmanship to reach and stay in the spotlight, and he adjusted the pieces of his life to maintain his singular place.

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Classical CD Reviews: Uri Caine’s “The Passion of Octavius Catto,” Bernard Hoffer Chamber Music, and Igor Levit’s “Encounter”

December 11, 2020
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Uri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.

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Arts Feature: Best Opera and Vocal (Recordings, Performances, and a Book), 2020

December 10, 2020
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This strange year became, for this opera lover, a chance to explore new—or even world-premiere—recordings of little-known repertory. When musical life returns to semi-normal, perhaps we can be treated to live performances of some of these amazing works.

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Pop Review: Jean Dawson’s “Pixel Bath” — Awash in Riches

December 9, 2020
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Jean Dawson’s Pixel Bath is one of the most exciting releases I’ve heard this year.

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Blues Album Review: John Hurlbut and Jorma Kaukonen’s “The River Flows”

December 8, 2020
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These tunes are not just good to listen to, but also serve a purpose by sending a message, whether it be to raise a voice in protest or entice reflection.

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Jazz Appreciation/Album Review — Carla Bley, 84 and Counting

December 5, 2020
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Carla Bley’s last three CDs are not a casual sequence, and hearing all of them together, as I did recently, provides a refreshing reminder of her greatness.

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