Music
“I don’t work the system anymore, except as a last resort: I aim instead to bypass it. The better I have gotten at circumventing gatekeepers, the more successful my writing career has been.”
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Free from the stress of leading a major-label band on the road, Mark Sandman could always return home to Hypnosonics, an alternate vehicle for his elastic vision.
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Nothing that guitarist Pat Metheny had done previously hinted at this sprawling 1981 masterpiece.
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This is one of the best traditional big band records you’ll hear this year, or maybe this decade.
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There’s much to enjoy here and admire, both in the performances and the selections on hand, which hardly dwell on the usual suspects or limit themselves too narrowly.
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“I really thought that I could sustain a life in music, but perhaps I’d end up in Las Vegas backing Tom Jones or something.”
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At this point in his career, Mayr is contributing to the development of the musicodramatic conventions that would set the stage for the masterpieces of Donizetti, Bellini, and Verdi.
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We want to hear the music and see the show — so sharpen your pencil and get that dough.
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Two albums, from a late master and a newbie, are notable additions to the current wave of introspective solo piano excursions.
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Two pianoless quartets + two restless leaders = some of the best music of the last few years.
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