Music
For Boston, Derek Trucks designs the shows to celebrate Susan’s Tedeschi’s march from local clubs to being a commanding presence on concert stages around the world.
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Like his idol, Todd Rundgren, John Powhida is a bit of a musical shape-shifter, evoking a broad range of styles but always with his unique and easily recognizable stamp.
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During the pandemic months, Conrad Tao – who, in addition to being an exceptional pianist, is also an accomplished composer – has evidently been honing his skills as an improviser.
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Two new Chicago-connected releases explore combinations of flute, cello, percussion and more to good effect.
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The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
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There are three key words in the title: “music,” “change,” and “everything.” At its best, the series convincingly shows how they are linked. Other times, it embraces too much of one at the expense of the other two.
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This disc highlights various, early-20th-century works inspired by the Kalevala, the Finnish creation epic. It is a fantastic demonstration of creative programming and invigorating orchestral performance.
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At 80 years old, Bob Dylan sounds imperturbable and fierce.
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Stephen Sondheim’s songs told stories about people just trying to be, sung by characters struggling to make sense of a confusing world, yearning to take the next step. But his intricately structured melodies soared and tiptoed and sauntered and sometimes wisely took the long way home.
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Forget romance. Forget chemistry. Forget star-crossed lovers. At its heart, this Eurydice is concerned with the love between a father and a daughter.
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Arts Feature: Best Movies (With Some Disappointments) of 2025