Music
Unlike the slow, spacy stonerism of the 1973-77 era, early Pink Floyd is a much more rocking experience, and those foundational tunes of English psychedelia take on the excitement of punk to modern ears when heard live.
At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
Augustin Hadelich has the feeling of this music – its bittersweet melodic phrases, dancing riffs, and restrained passion – well in hand.
This three-disc set provides a fascinating look behind the curtain at one of the great bandleaders in jazz history putting together his groups, seeing what they can do from multiple angles, and building a new musical concept from scratch.
This recording presents one of the most lucid and well-programmed portraits of John Adams to emerge, well, in a long while.
As far as tour openers go, the concert on Friday presented no signs of a band holding back or slow to gain speed.
Singer and songwriter Robin Lane talks about the genesis of her new album. She will be performing live around New England with a new ensemble.
Soviet Armenian composer Aram Khachaturian, at his best, was compelling. Granted, he wasn’t working at this level in every piece. But most of his bigger works are better than not.
For Derek Bermel fans, Intonations is a must. For new music enthusiasts and the otherwise curious – ditto.
“I remember playing the Rathskeller. I think that was the second gig we had in the US. I remember what a dive that was. I remember how really exciting it was to be there. Just the promise, the potential.”
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