Classical Music
During the pandemic months, Conrad Tao – who, in addition to being an exceptional pianist, is also an accomplished composer – has evidently been honing his skills as an improviser.
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The Crier’s program pairs three composers one doesn’t always find together. As is likewise the norm with this group and their selections, everything somehow connects – and on multiple levels.
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This disc highlights various, early-20th-century works inspired by the Kalevala, the Finnish creation epic. It is a fantastic demonstration of creative programming and invigorating orchestral performance.
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Forget romance. Forget chemistry. Forget star-crossed lovers. At its heart, this Eurydice is concerned with the love between a father and a daughter.
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Peter Heise’s King and Marshal (1878), one of the most-performed Danish operas, is melodic and atmospheric, here sung and played persuasively.
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A mightily played, deeply felt, and finely recorded album from Trio Con Brio.
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Florence Price’s voice and the richness and complexity of an almost-entirely neglected body of symphonic music by Black American composers can be heard in this excellent recording.
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This is an album of real spirit and vigor, a mix of the thoughtful and the exciting, all bracingly recorded.
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This weekend’s concerts all add up to a quintessential Symphony Pro Musica event: a mix of the familiar and unexpected, with various old friends coming by to visit along the way.
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Beethoven never left Europe. But he could have. And the possibility that he might have visited Boston is the basis of Paul Griffiths’ touching, witty, and thought-provoking new novel.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues