Classical Music
Florence Price’s voice and the richness and complexity of an almost-entirely neglected body of symphonic music by Black American composers can be heard in this excellent recording.
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This is an album of real spirit and vigor, a mix of the thoughtful and the exciting, all bracingly recorded.
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This weekend’s concerts all add up to a quintessential Symphony Pro Musica event: a mix of the familiar and unexpected, with various old friends coming by to visit along the way.
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Beethoven never left Europe. But he could have. And the possibility that he might have visited Boston is the basis of Paul Griffiths’ touching, witty, and thought-provoking new novel.
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Halka struts its stuff, impressively, in this new recording with an all-Polish cast conducted by internationally renowned Gabriel Chmura.
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Manfred Honeck and the Pittsburgh Symphony have ways of digging into the music and providing new perspectives on it such that their recordings are, by and large, can’t-miss events.
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May the Boston Symphony – which just concluded its annual weekend celebrating the music of Black composers by shunting them off on their own, away from Rachmaninoff, Strauss, Beethoven, and Friends – take note: this is how it should be done.
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New CD releases provide splendid performances of remarkable American music, from Barber and Bernstein to recently rediscovered Black composers Florence Price and William Grant Still.
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With its wide-ranging textual and musical materials, this “church parable” stands as one of Benjamin Britten’s most striking creations.
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A terrific album, commandingly played, that adds to our knowledge and appreciation of this too-long neglected repertoire.
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Arts Commentary: Rich in Creativity — But Nothing Else