Classical Music
Opalescent’s overriding aspect is celebratory – but from a variety of angles.
Pianist Jeremy Denk is a sensitive and articulate polymath who can elucidate his ideas about music with wit, humor, and style.
The Boston Early Music Festival returns in person — and in a world-premiere recording of a German Baroque opera.
The record companies are bringing us unsuspected marvels from past and present that we might otherwise never hear, from astonishing Handel-era works and brand-new American pieces to elegantly performed guitar sonatas from 19th Century Vienna.
Some substantial works by composer Felix Mendelssohn remain overlooked.
Cellist Nicolas Altstaed’s recording features a fascinating pairing of pieces by Salonen and Ravel, a stirring reminder of the mysterious powers of common origins and creative invention. Don’t miss it.
I have heard many recordings of Bach’s work, but none had the vibrancy of what I heard in Jeremy Denk’s Sunday concert.
A new recording of Ferdinando Paër’s Leonora gives us characters we love (or love to hate) in a fresh light
A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
Music Commentary: Jean Sibelius’s Violin Concerto — The Universal Concerto?
Sibelius’s Violin Concerto is almost something of a phenomenon now: in just eight months, I’ve heard it played by three different fiddlers — Baiba Skride, Lisa Batiashvili, and Inmo Yang.
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