Opera

Music Interview: Preview/Interview with Gil Rose on Odyssey Opera’s “Dmitrij”

September 9, 2016
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“Would I love to do these big operas in Symphony Hall? Yes. When I feel like I’ve got two-thousand people to attend, I’ll move over to Symphony Hall.”

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Opera Review: Boston Midsummer Opera Provides the Perfect Summer Break

July 22, 2016
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Boston Midsummer Opera may be performing in a new location, but all their virtues have arrived at Watertown intact.

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Classical CD Review: John Corigliano’s “The Ghosts of Versailles” (Pentatone)

May 17, 2016
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Ghosts seems to be trying to be all things to all listeners — edgy, nostalgic, farcical, adventuresome.

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Opera Review: A Delightful “Magic Flute” from Boston Baroque

April 20, 2016
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Boston Baroque staged a very enjoyable and entertaining performance of Mozart’s much-loved opera.

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Classical Music Review: BEMF’s “Acis and Galatea”—Glorious Entertainment

December 1, 2015
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The music was so extraordinarily pleasant and well performed that the two-hour production breezed by.

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Theater Review: Isango Ensemble’s “uCarmen”—A Captivating Version of a Classic

November 16, 2015
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A bewitching South African version of Bizet’s opera — performed with a distinctive blend of spunk and sass.

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Classical Album Review: Tenor Jonas Kaufmann’s “Nessun Dorma”—Puccini Sung Right

November 4, 2015
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If you like good, smart singing, tenor Jonas Kaufmann’s Nessun Dorma:The Puccini Album disc is for you.

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Rock Interview: Ian Anderson on “Jethro Tull: The Rock Opera”

October 30, 2015
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“This is JETHRO TULL!, expressed proudly in bold terms. And then ‘the rock opera,’ said in an embarrassed whisper.”

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Concert Review: Odyssey Opera’s “Le Cid” — Romantic Turbulence

September 20, 2015
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Massenet’s instinct for drama and gifts as an orchestrator go a long way to carrying the piece, but it still can make for a long night at the theater.

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Classical CD Reviews: James MacMillan conducts Vaughan Williams, MacMillan, and Britten and Boston Lyric Opera’s “Clemency”

July 30, 2015
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Two recent albums feature compositions by James MacMillan, one of Europe’s leading composers, as well as an opportunity to hear him conducting.

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