Opera

Opera Review: Beyond the “Barber of Seville” — New Recordings of Two First-Rate Forgotten Operas by Rossini

February 17, 2019
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Beethoven reportedly told Rossini to stick to writing comic operas. But new recordings of two of Rossini’s major serious operas bring great pleasure to the listener—and let us hear some splendid young singers.

Classical Music Commentary: Poetic Narratives in the Concert Hall, and a New Recording of Dvořák’s “The Spectre’s Bride”

January 20, 2019
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A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).

Classical Music Commentary: Best Opera and Vocal Recital Recordings, 2018

December 22, 2018
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A list of the most memorable opera and vocal recital recordings of the year.

Classical CD Review: Best Opera Recording of the Year — Or is it Best Musical?

December 11, 2018
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None of the opera recordings I have reviewed this past year beats this Cradle for dramatic vitality, musical imagination, and ongoing political relevance.

Opera Review: BEMF’s Utterly Captivating “Alcina”

November 30, 2018
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When it comes to raising high spirits, the BEMF’s delightful Alcina was an inspired choice.

Classical Music Review: “Widma” — An Imaginative Polish Experiment

November 25, 2018
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This recording challenges our settled sense of what art music, in conjunction with colorful spoken and sung verse, can accomplish.

Opera CD Review: A Magnificent 1841 French Grand Opera Comes Alive Again

November 14, 2018
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Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.

Opera Review: BLO’s “The Barber of Seville” — An Exhilarating Triumph

October 16, 2018
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Every performance of opera should leave an audience so exhilarated.

Opera Feature: MassOpera –“Taking Up Serpents”

October 3, 2018
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MassOpera opened their season with a workshop of a new opera, something they’ve never done before.

Opera Preview: “Scalia/Ginsburg” — Mining (and Minding) the Political Gap

October 2, 2018
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Derrick Wang’s Scalia/Ginsburg is a three character comic opera that combines elements of Jean-Paul Sartre’s No Exit and Perry Mason.

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