Film
This prequel is the rare instance of a horror film, in this case a prequel, that is better than its predecessor.
This horror comedy traps a cadre of privileged, narcissistic Zennials in a whodunit murder mystery and lets their internet-addled delusions of grandeur tear them apart in the paranoid fallout.
Rebecca Hall gives Resurrection the psychological grounding it needs, as the thriller stretches towards a macabre, fable-like payoff.
Max Walker-Silverman’s first feature, A Love Song, is a character-driven, humanist, and deeply ecological present to someone of my generation.
Nope, Jordan Peele’s highly anticipated third feature, is an awe-inspiring marvel about our own unrelenting obsession with spectacle.
Earwig taps into a diabolical Freudian cabinet of uncanny curiosities and symbols.
Brazilian director Anita Rocha Da Silveira’s latest film is a genre-spliced howl of feminine fury in the face of right-wing Christian conservatism.
In a world riven by war and flirting with Armageddon you’d be forgiven for wondering how the microcosmic hothouse of Fire could command your attention. The answer: director Claire Denis’s artistry.
Marcel the Shell with Shoes On is a work of depth as well as inspired silliness, structured with moments of quiet contemplation in between the laughs.
This series presents a compelling perspective on the relativity of determining crime and punishment.
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