Film
Darren Aronofksy’s new film might not be everyone’s cup of ambergris.
By drawing on the insight and humor in Don DeLillo’s novel, Noah Baumbach manages to find (at least for me) affirmation and comfort in this portrait of the randomness of contemporary existence.
Sam Mendes writes and directs an poignant ode to the escape we find in going to the movies.
Two powerful films about fending off violent threats, xenophobic and fascist.
An unconventional documentary explores the career of unconventional filmmaker Robert Downey Sr.
Our critics salute three memorable films — anti-fascist (Cabaret), anti-capitalist (The Ruling Class), and anti-war (Slaughterhouse-Five) — that turned fifty this year. Perfect viewing for the holidays.
With Bones and All, Luca Guadagnino solidifies his place as a filmmaking maverick able to bend genre conventions in ways that express his own painfully beautiful artistic vision.
The Menu serves up a ghoulish and madly entertaining two hours of prime cinema.
With gorgeous, vivid stop-motion animation overseen by co-director Mark Gustafson, this inspired collaborative effort carves its own lane among the many adaptations of the oft-told story.
Arts Feature: Best Movies (With Some Disappointments) of 2022
Our demanding critics choose the best films (along with some disappointments) of the year. And there is plenty of disagreement.
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