Film
A romp in and around a centuries-old Italian convent, acting out a 14th-century story using contemporary American idiom and attitude.
The Beguiled is a beautifully-shot, atmospheric thriller with a daring take on sexual autonomy and dynamics.
One of the Provincetown Film Festival’s highlights: a documentary on the life of best-selling author Armistead Maupin.
Two of the best feature documentaries this year at the Provincetown Film Festival were gay-themed.
In Trouble in Paradise, Lubitsch makes us feel complicit in the best of ways; he makes us feel clever.
If you want to see what courageous political satire really looks like, see Sara Taksler’s engaging new documentary about Bassem Youssef.
This is a fine exercise in arthouse horror — don’t expect elaborate monsters, an orchestral score, or CGI effects.
While Band Aid feels authentic in its realistic depiction of contemporary relationships, its humor is consistently disarming.
The Complete Jean Renoir — a definitive retrospective of films by the greatest of all directors.
Film Commentary: Death Knell for American Independent Cinema?
The well has evaporated for much of new American independent cinema.
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