Film
Get Out owes much to the small but precious film genre that dares to cultivate bizarre and hip satire.
Director Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
Frantz explores the complicated emotions generated by the aftermath of a catastrophic war.
This is an old story, but the approach this time around is fresh, the acting uniformly excellent, and the pacing just right.
Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.
A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.
Terrence Malick attempts to liven up this hackneyed soap/rock opera with his signature swooping camera moves and stunning cinematography.
Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
A United Kingdom‘s astute reflections on racial and economic realpolitik makes this film far more than a love story.
Personal Shopper poses questions about how technology and fashion are skewing our relationships and obliterating traditional notions of identity.
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