Film

Film Review: “Toni Erdmann” — Humor is Tedium’s Balm

February 18, 2017
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Toni Erdmann gently but somewhat darkly reminds us that living life in the fast lane means missing out on its slower, humbler pleasures.

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Film Review: “The Salesman” — The Limits of Empathy

February 9, 2017
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Director Asghar Farhadi’s most stringent judgments generally fall upon members of his own sophisticated, worldly cohort.

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Film Review: “The Autopsy of Jane Doe” — Death Becomes Her

February 3, 2017
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At first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.

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Film Review: “The Founder” — The First Trump Movie? No and Yes

January 30, 2017
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I ask you, thinking of The Founder: is it just a coincidence that the name Donald is imbedded in the name McDonald’s?

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Film Review: “The Executioner” — Death Be Not Pedestrian

January 30, 2017
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Director Luis García Berlanga entertainingly but ruthlessly lampoons the cruelties and absurdities of Spanish life under dictatorship.

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Film Review: “Hidden Figures” — Finger Painting by the Numbers

January 27, 2017
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All of these stories are powerful… if only they were treated with dramatic complexity.

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Film Review: Woody Harrelson’s Movie — A So-So Nocturnal Odyssey

January 27, 2017
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There was a good energy to the depiction of movie-Woody’s nocturnal odyssey, and a few funny bits.

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Film Review: “Dead of Winter” — Horror and the Art of Living Deliciously

January 24, 2017
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One of the lessons of the Dead of Winter series at the Brattle Theatre:”The occult is one of many tickets to the revolution.”

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Film Review: “Paterson” — A Very Ordinary Visionary

January 23, 2017
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Paterson is a movie about how ordinary it may be to see the world in a grain of sand.

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Film Review: “Silence” — Martin Scorsese’s Mute Spiritual Odyssey

January 22, 2017
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Did Martin Scorsese want this film about religious faith to reverberate so faintly, to make its point through such awkward stillness?

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