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Christian Gerhaher is, perhaps, the great Mahler baritone of his generation, while Bruckner is, perhaps, a surprising choice for conductor Kent Nagano, whose championship of new music is legendary.
The documentary was originally screened at South by Southwest in 2010 while Levon Helm was still alive, but with his death from cancer in 2012, the film now serves as a heartfelt tribute to a true American original.
The fall is an excellent time to visit the Mount, the splendid home author Edith Wharton built for herself in the Berkshires. The leaves have already begun to turn.
An evening that showed yet again how pop (even “modern” pop) can serve as nourishment for new jazz.
There is a paucity of richness in The Goddess Chronicle. The myth might have been, but wasn’t, mined for tales of compassion, or inevitability of sorrow, or the psychology of misogyny or of revenge, or the strictures of fate.
Like Lo Fi High Fives, Personal Appeal might not be a “best of” per se, but it is certainly a good entry point for those who have been daunted by R. Stevie Moore’s massive and impressive back catalogue.
Scissors is a roman à clef. But Stéphane Michaka has not composed a fictionalized biography mapping out the itinerary of Raymond Carver’s life. The novelist above all focuses on the creative process in which a writer named “Raymond” is involved.
Fuse Commentary: MBTA Set to Demolish the “Center of the Universe” in Harvard Square
Apparently, an agency like the MBTA can simply take a wrecking ball to pieces of public art such as “Omphalos” when their existence becomes an encumbrance. No questions asked.
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