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“Gonna Make a Record in the Month of May” — May 2013 and Why This Year Already Beats 2012
“Rapture, Blister, Burn” feels less like an exploration of feminism today than a clever sitcom pilot that won’t be able to sustain its jokes for an entire season.
The filmmaker is annoyingly passive and star-struck, as the documentary’s subject, Ricky Jay, speaks to his chosen agenda: a wish to tell stories about his mentors and favorite magicians.
After the critical success of 2011’s “Badlands,” Alex Zhang Hungtai returns with the release of “Drifters/Love is the Devil” — a double album that expresses trauma in two devastating ways — the direct and the atmospheric.
Two new albums from BMOP Sound reflect the considerable artistry and vision of Gil Rose and the Boston Modern Orchestra Project.
A round-up review of new releases from Harmonia Mundi — an invigorating crop of albums.
Director Peter Jackson in his film adaptation of The Hobbit abandons the intimate scale of the original wonder tale and mistakenly blows it up into mythic proportions.
Stage Commentary: The Need for a Theater of Transformation
Theater taught me how to draw parallels, to condense, to delete triviality and to recognize significance.
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