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Jennifer Lawrence has blossomed into a charismatic screen presence in her gala return as Katniss, the beloved bow-and-arrow heroine of “The Hunger Games: Catching Fire.”
So we’ve got a mixed bag. If you get this Lang Lang disc, it should be for the Bartók, but not the Prokofiev: as things stand, the competition there simply blows Lang out of the water.
Art Spiegelman believes that “MAD” magazine was more subversive for his generation of protesters than either marijuana or LSD. It certainly radicalized him.
Two discs released by Harmonia Mundi benefit from the dramatic flair of conductor René Jacobs.
Daniel Arasse’s method has been defined by his students as “looking, [taking] pleasure and [being] imprudent.” Any and every detail of a work of art can serve as his starting point.
Violinist Joshua Bell and pianist Sam Haywood delivered a highly entertaining and substantive (if too short) Sunday afternoon recital.
At its best, “BE” is an adventurous album, which automatically makes it an improvement over Beady Eye’s 2011 debut.
Hopefully, Death Grips can keep finding new ways to convey contemporary dissonance, because as it stands now they have produced four of the most important musical works of the 21st Century.
I was mesmerized by the coherence of the shifting patterns, their ideas so clearly presented, even though the work by no means provided more than a suggestion of a story.
Film Commentary: A Contrarian View of “12 Years a Slave”
Why haven’t more movies been made about American slavery? Hollywood studio racism is certainly a prime factor; but even for determined anti-racists, there’s also the aesthetic problem of creating a compelling film drama.
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