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It would take a series of spoilers to explain who might have killed whom in “The Galapagos Affair.” See the movie and find out, and revel in the grim gallows humor.
Kevin Young’s poetic line is generally on the concise side, generating a pithy, earthy, evocative quality that hovers somewhere between the haiku-like jazziness of Robert Creeley and the delta blues of Son House or Skip James.
Conductor Charles Dutoit seems to have little affinity for Mahler’s distinctive style.
Praise is due Peggy Pearson and Winsor Music for providing a forum for the talented young composer Lev Mamuya.
The Discovery Ensemble’s precision was also on full display in the vigorous contrapuntal writing that came across with impressive, electrifying energy and visceral punchiness.
Dramatist Melinda Lopez’s “Becoming Cuba” holds your attention even after you see just where it is going and why.
Far from being the cool, detached, and cerebral creations of the color field artists, these quilts, imagined in their intended context, are deeply personal, sensuous, and alive.
“Fargo” creates its own world of crime and moral conundrums while delivering a fair share of blood. Whether the TV series delivers on its promise to be in the same aesthetic world as the original movie is an open question.
A fast-paced, fact-laden book by two “Boston Globe” reporters about the 2013 Boston Marathon bombings that doesn’t answer the tough questions.
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