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The band was still Television and often as not, still magnificent.
New translations of Soviet-era poets Vladimir Mayakovsky and Vladislav Khodasevich ask us to restore them to their rightful places in Russian and international literature .
Dramatically speaking, Sontag: Reborn fails to treat a flawed iconoclast with the necessary creative playfulness. Hush, Saint Susan Aborning!
Chris Daze Ellis takes a serious risk. If you hang your work next to Berenice Abbott’s, it had better be as brilliantly framed, as firmly direct, and as perfectly focused as hers.
In a world populated by talented pianists, James Brawn is a standout. He’s not just a virtuoso, but also a probing, thoughtful musician with strong, creative programming instincts.
A captivating story, indeed. But is Vivian Maier, suddenly famous, and the subject of a new film, the John Maloof-directed Finding Vivian Maier, a worthy artist?
Carrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast
The Lunchbox is that rare film experience that stays with you, makes you think about its multi-layered, subtle performances and storyline, and forces you to see it again.
The conceit of “On the Verge” is fascinating, inviting us, as all first rate speculative or science fiction does, to see our past through different lenses.
Dance Commentary: Learn to Love Something By Doing It, or How I joined Le Grand Continental and Discovered the World of Dance
I hope thousands of people show up to see Le Grand Continental-Boston next weekend. Not to see me, but to see how dance can change the way we appreciate our world.
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