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After hearing pianist Daniil Trifonov in this recital performance, I would say no one on the celebrity circuit has a more impressive technique.
The opportunity to hear Leoš Janáček’s magnificent score live ultimately trumps any reservations I have about the production as a whole.
Yasmina Reza’s dollhouse of a novel is a miniaturist’s miracle.
Rejecting unadorned box-like designs, Michael Graves created with patterns, textures, decorations and color in ways large and small.
Culture Clash’s view of America will discomfort, which is all the more reason that I urge you — strongly — to attend.
One leaves History of Fear feeling that the director wants to stir up our anxiety about the omnipresence of fear itself.
Without being at all didactic, Michelle Dorrance reveres tap history by adapting traditional ideas, then resolving them unexpectedly.
George C. Wolfe’s 1986 collection of vignettes that spoof and celebrate black stereotypes occasionally plays like reruns from the ’90s TV show In Living Color.
In 1939, Clifford Odets wrote that ‘we are living at a time when new art works should shoot bullets.” Fat chance of any shots coming from our voluntarily disarmed theaters.
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