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The fine efforts of the New Rep performers and Jim Petosa’s thoughtful staging can’t solve this musical’s central flaw.
One of the reasons audiences and funders love Kyle Abraham’s work is that the layered landscapes of his dances resonate with the fraught conditions outside the theatre.
Arts Fuse critics select the best in music, film, visual art, theater, author readings, and dance that’s coming up in the next week.
There’s no debate: The Great Gatsby is the Great American Novel, with Moby Dick and Huckleberry Finn as also-rans.
While The Bone Clocks is compulsively readable, there are too many parts of this book that can only be called lazy.
The Culinary Arts Museum at Johnson & Wales University reopened in September after a fifteen month hiatus to re-assess its inventory.
The good parts of The Judge make the its missteps more painful to watch.
Fiber takes on two key aesthetic ideas — gravity and the grid — and one major sociological one, the way fiber arts were created and exhibited as part of a larger feminist agenda.
The intriguing notion of a down-and-out clown troupe struggling with a classic text propels this superb production.
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