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The first episode of the “Blood Rose Rising” series possessed creepy comic potential and an intriguing mix of multimedia, magic, and thrills that hinted at even better things to come. Alas, these hopes were dashed.
Read MoreMark Harvey and the Aardvark Jazz Orchestra: It’s hard to remember what the Boston jazz community was like before Harvey came along. In fact, the term “jazz community” would have seemed far-fetched at best if anyone had used it.
Read MoreDirector Paul Thomas Anderson doesn’t provide answers nor does he pose questions: the ambiguity of his characters and his confounding storytelling style are what drive “The Master.”
Read MoreIntimacy has been the key note of bossa nova performance ever since the initial murmurings of Joao and Astrud Gilberto, and singer Eliane Elias can whisper with the best of them.
Read MoreThis weekend’s soloist, Joshua Bell, is a performer who perhaps best approximates Leonard Bernstein’s charismatic personality in performance: a fully engaged interpreter, he does not shy away from physically expressing the emotional content of what he’s playing.
Read More[Update: Tonight’s performance at Scullers by Mozik and special guest Rebecca Parris is still on. Rumor has it that the set will include Herbie Hancock’s “The Eye of the Hurricane”.] All treats, no tricks —it’s a great month for jazz in New England. The Aardvark Jazz Orchestra turns forty, and so does NEC’s Contemporary Improvisation department. Meanwhile, a raft of musicians make deep dives into electronica.
Read MoreJorge Luis Prats’ performance was absolutely breathtaking, and one had the sense of being at a historic recital, of discovering a hugely gifted, yet virtually unknown, artist.
Read MoreThe month features a number of ambitious film festivals and the predictable cinematic excursions, classy and crass, into the spooky.
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Music Review: The Beatles are Still Here, There, and Everywhere