Featured
To say that Odyssey Opera continues to set the bar for opera performances in Boston may be a bit superfluous, but it’s true.
The sound was often so inviting that it seemed Wire were easing comfortably into middle age.
Bill Frisell and his quartet performed a program of well-worn American hits whose juxtapositions allowed you to make your own cross-references and draw your own conclusions.
In his Boston Globe review, Ty Burr complained Félix and Meira was needlessly slow in the telling. I felt that the movie is needlessly discreet.
Aloha comes across as Cameron Crowe’s baffling artistic suicide note to his adoring public.
Despite the neglect from the local media, the Boston blues scene is strong.
Biographer Annie Cohen-Solal is perhaps strongest on one thread of Mark Rothko’s narrative: his experience as a Jewish immigrant.
Get your maps and open up your calendar app—it’s time to plan your summer of jazz in New England.
Music Commentary: Jazz and the Piano Concerto — A Coda without a Finale
What we know of mass-market choice suggests that the more choices a person has, the more likely it is that the person will be dissatisfied with any one choice.
Read More about Music Commentary: Jazz and the Piano Concerto — A Coda without a Finale