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Fuse film critic Tim Jackson picks the best of the past year in movies, a round-up that includes some grievously overlooked documentaries, independent, and foreign films.
Read MoreEditor Bharat Tandon guides us expertly through “Emma,” stopping along the way to augment the text by clarifying usages, concepts, and references that may stump the 21st-century reader.
Read MoreAn adaptor has to make choices, and this theatrical version of “Invisible Man” focuses on the novel’s most straightforward narrative strand.
Read MoreIn this production, director Piotr Fomenko “wanted to explore whether family happiness is even possible, the fight to keep it and the fear of losing it.”
Read MoreWhat kind of culture is produced by a society that lives and governs itself by opinion polls?
Read MoreJulian Rachlin is a Romantic violinist in the best sense: he has technique to burn, but isn’t overly showy. His tone is pure, his intonation impeccable, and in his playing the melodic line is – even in the busiest solo textures – given pride of place.
Read More“Ace of Spades” is pure fun to play, but I’m not sure smashing two games together qualifies as innovation.
Read More“The Sopranos” creator is the latest filmmaker to tackle the 1960s. He provides an antidote to the rose-tinted lenses of nostalgia, a grounded portrayal that evokes the truth of the period rather than the mythology.
Read MoreThe Lyric Stage actors and pianist Catherine Stornetta do an excellent job making all of “33 Variations” intelligible and, sometimes, very funny.
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