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The film proffers a winning combination of goofy humor and social critique.
The star of The Easy Way Out is its splendidly quick pacing, which gives it more of the feel of an American film than one would expect.
Mechanical as Chic!’s story is, it is rare to have this kind of French fluff put across with so much charm and vivacity.
In Kinship, dramatist Carey Perloff hasn’t found a language that conveys irrational longing.
Zoë Anderson’s volume aims to give readers a handy way to discern the most influential ballets from among the confusing proliferation that we find in today’s repertory.
While 887 explores the political, historical, and cultural ramifications of centuries-old racism, Robert Lepage never panders to victim mentality polemics.
It is a conundrum for the critic: is the crudeness of the rendering the result of an expressionist style or a lack of finesse or skill in rendering?
John Berberian, an Armenian-American master of the oud, is in our midst.
Visual Arts Commentary: Boston City Hall — A ‘Triumph’ of Brutalism
Urban pollution and acid rain have not dealt kindly with Boston City Hall’s mostly concrete facade.
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