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Curious Sound Objects showcases works that sit at the intersection of art and science as well as aesthetics and technology.
Soprano Elizabeth Watts’ voice is as clear as crystal in every musical context and texture.
Blues feeling remains as unpredictable as ever. Who would have guessed that its strongest incarnation this year so far would be Ironing Board Sam’s Super Spirit?
Stray Dog shows us again and again, through its protagonist’s words and actions, that you can’t judge a book by its cover, or its red neck.
My biggest gripe is with a central tenet of Jonathan Franzen’s fiction: communication between generations is impossible.
Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.
The “treats” being offered throughout Spektrel’s four dances are an eclectic variety of movement, music, and moods.
Despite the dazzling rewards of this virtuoso Underground Railway Theater production, Copenhagen short circuits its central theme.
Rethinking the Repertoire #5: Leonard Bernstein’s “Songfest”
Bernstein’s Songfest is Exhibit A in the argument that American orchestras and conductors need to champion the music of these shores.
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