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Jean Epstein’s body of work is full of pleasures and surprises: this vigorous director broke ground for filmmakers and cinematic movements to come.
M. T. Anderson writes with a compellingly dark tone and a keen eye for characterization worthy of adult readership.
Whenever there is a choice to be made between meaning and melody, the translator tends to opt for the latter.
Put simply, this is a drawing show without drawings.
Three new classical music albums: two are superior, one is a bit of a mixed bag.
My snoring neighbor left during intermission (he was roused a bit when the musical vigor picked up in the finale of the Mozart).
I urge anyone interested in the voice and or just terrific music to try to attend one of Mirror Visions’ concerts.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
After more than four decades, Paul Collins is still keeping The Beat
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein