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Lisa Dwan’s performance of these Beckett pieces in a totally darkened theater is powerful and, in the case of Not I, deliciously revelatory.
Read MoreJim Harrison’s prose is gorgeous, illuminating. The simple language slides into your head and resonates there.
Read MoreKent Nagano’s return to Boston revealed him to be a fully mature world-class conductor.
Read MoreSunday’s concert was highlighted by the world premiere of Bernard Hoffer’s ballet after Longfellow’s Paul Revere’s Ride.
Read MoreIn the Shadow of Women is obviously meant to be a throwback/homage to the French New Wave cinema of the early to mid-1960s.
Read MoreLawren Harris is determined to present a static vision of the top of the continent, a version of nature that is stylized, austere, immobile, and eternal.
Read MoreIn this enjoyable novel, Martin Suter has chosen to sidestep depth in favor of colorful characters fine-honing their hopes and dreams..
Read MoreSkylar Gudasz’s deep voice is well suited to the gorgeous melancholy that pervades her songs.
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Fuse Commentary: The Boston Symphony Orchestra’s 2016-17 Season Announcement
On the whole, 2016-17 is shaping up to be one of the liveliest Boston Symphony Orchestra seasons since the first years of James Levine’s tenure.
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