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Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.
An Arts Fuse regular feature: the arts on stamps of the world.
Praxis Stage manages to get Arthur Miller’s message across, and it is a valuable one that must be repeated well beyond the inauguration.
Ken Thomson’s Restless doesn’t hide from dark places or things; Oberlin Orchestra does right by Argentinian composer Alberto Ginastera.
Paterson is a movie about how ordinary it may be to see the world in a grain of sand.
In both pieces on the ODC/Dance program, serious ideas underlay a lush movement language adorned with striking scenic effects.
An Arts Fuse regular feature: the arts on stamps of the world.
Jerusalem Quartet’s Bartók is more elegant than hard-edged; Heath Quartet’s Tchaikovsky is vigorous and sweeping.
A less skilled playwright might have gone for the obvious and focused on mercy-killing and the ravages of Alzheimer’s.
Arts Remembrance: Jeff “Monoman” Conolly — He Knew All the Secrets