Featured
Dramatically speaking, Sontag: Reborn fails to treat a flawed iconoclast with the necessary creative playfulness. Hush, Saint Susan Aborning!
Read MoreChris Daze Ellis takes a serious risk. If you hang your work next to Berenice Abbott’s, it had better be as brilliantly framed, as firmly direct, and as perfectly focused as hers.
Read MoreIn a world populated by talented pianists, James Brawn is a standout. He’s not just a virtuoso, but also a probing, thoughtful musician with strong, creative programming instincts.
Read MoreA captivating story, indeed. But is Vivian Maier, suddenly famous, and the subject of a new film, the John Maloof-directed Finding Vivian Maier, a worthy artist?
Read MoreCarrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast
Read MoreThe Lunchbox is that rare film experience that stays with you, makes you think about its multi-layered, subtle performances and storyline, and forces you to see it again.
Read MoreThe conceit of “On the Verge” is fascinating, inviting us, as all first rate speculative or science fiction does, to see our past through different lenses.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Read MoreFred Turner’s counterintuitive and subtle argument in The Democratic Surround draws a direct line between the design of museum exhibitions and the Be-Ins of the Summer of Love.
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Dance Commentary: Learn to Love Something By Doing It, or How I joined Le Grand Continental and Discovered the World of Dance
I hope thousands of people show up to see Le Grand Continental-Boston next weekend. Not to see me, but to see how dance can change the way we appreciate our world.
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