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“It was really hard to get to certain places and bring up memories and experiences and put that out there.”
This is a book about “survivor’s guilt,” and also about the terrible loneliness that comes of losing so many whom you love.
Mark-Anthony Turnage’s Frieze is, without a doubt, one of the major symphonic scores of our century.
This company of highly talented collaborators asks: “What is it about our collective psyche that fastens on so tightly to guns?”
To speak with Jörg Widmann is to encounter a mind furiously at work and aware of his craft as viewed through the lens of Western history.
The Lost Songs of St. Kilda is a disc that’s simple but profound, beautiful and enduring.
It is unlikely that any other BSO concert this year will top Thursday night’s performance of Richard Strauss’s opera Der Rosenkavalier.
Something clicked when I visited the MFA’s diminutive but brilliant new exhibition of Terry Winters’ works on paper.
Dissolution is a mysterious, and constant, element in Diana Al-Hadid’s vision.
Cultural Commentary: Wells Fargo — Let Them Eat Art
Is truth and beauty served when the arts just take the money from the big banks and run?
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