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Fuse Film Review: “Swiss Army Man” — Way Down the Rabbit Hole

July 6, 2016
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Swiss Army Man is much more than your standard absurd adolescent comedy or a campy send-up of the genre.

Visual Arts Review: “Splendor, Myth, and Vision: Nudes from the Prado”

July 5, 2016
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Beyond a few superb works, the panorama of flesh proves to be oddly enervating.

Film Review: “Genius”? Oh, Really?

July 4, 2016
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Unfortunately for Genius, film is a visual medium, not a talking heads snore fest.

Theater Review: “The Rose Tattoo” — A Spectacular Production from the Williamstown Theatre Festival

July 4, 2016
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This superb production offers audiences a chance to discover or rediscover an American classic.

Theater Review: “My Jane” — Not Much New Here

July 2, 2016
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The production, like so many I’ve seen staged by the Chester Theatre Company, makes the most of limited resources.

Dance Review: Bereishit Dance Company — Cosmopolitan Grace

July 2, 2016
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Soon-Ho Park’s dancers seem imbued with the casual cosmopolitanism of their peers, but they reflect a deep seriousness in their craft.

Fuse Film Review: “Wiener-Dog” — Dog Day Afterlife

July 1, 2016
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In time, Wiener-Dog may be the film that defines Todd Solondz as a filmmaker.

Stage Interview: Les 7 Doigts De La Main Serves Up “Cuisine & Confessions”

June 30, 2016
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“Circus artists aren’t the best actors,” Shana Carroll notes, “it’s not their thing.”

Film Interview: Director Todd Solondz on his Canine Epic — “Wiener-Dog”

June 29, 2016
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When asked about why he chose to focus on a dog, Todd Solondz says: “I knew I wanted to do a dog movie.”

Book Review: “American Rhapsody” — A Lucid Song of Ourselves

June 28, 2016
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One of the ironies inf American Rhapsody is that most of the artists Pierpont takes up didn’t find life in America to be rhapsodic at all.

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