Featured
Whatever its flaws, Sicario goes a long way to informing us of what’s happening just south of the border — not driven by illegal immigration, but by American drug lust.
Read MoreMost of the piece was carefully engineered; it seemed more calculated than liberated
Read MoreJay Parini has provided an important slice of literary and cultural history as well as a portrait of a man.
Read MoreBridge Rep Theater director Olivia D’Ambrosio has not taken message-mongering to heart in this lively production of a rarely produced play.
Read MoreA by no means complete round up of some recent releases in rock, from Keith Richards to the Libertines.
Read MoreI have a short list of the greatest singers I’ve seen live—and Colin Blunstone of the Zombies is right up there.
Read MoreDoes Meet the Patels ever go deeper than an amusing family comedy? It does for a time…
Read MoreMatthew Teitelbaum, 59, may be among the most reluctant employees the Museum of Fine Arts, Boston has hired.
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Rethinking the Repertoire #3: Karl Amadeus Hartmann’s Symphony no. 6
The truth is that the music of this most politically aware and morally astute of composers needs – and deserves – much wider currency.
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