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For me, the experience of watching Roseanne is annoying and unpleasant.
The Boston Symphony Chamber Players gave a very satisfying performance of eclectic musical material.
Peter Oundjian and the Royal Scottish National Orchestra deliver a great album, smartly programmed and played to the hilt. Leonard Bernstein’s live Mahler was often electrifying; this performance, even with some cracked notes and hairy transitions, certainly is.
As part of its 150th anniversary celebration, NEC commissioned Anthony Coleman to compose a large-scale work he has named Streams.
Nausheen Eusuf’s deep affection for language and sound is omnipresent.
A wide-ranging slate of documentary features on display in this year’s Independent Film Festival Boston. Here’s a sampling of a few of the standout films coming up.
New Yorker critic Alex Ross has called the LAPO the best orchestra in the country and that appellation seems about right.
The thought of the Kissin/Emerson collaboration was very intriguing, and I anticipated amazing music making.
What starts off as a rollicking entertainment ends with a flourish of profundity.
This time around, as both a writer and director, Paul Schrader has a found a story, and the artistic restraint, to convey his elevated vision.
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