Featured
August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
To modern sensibilities, Frederic Edwin Church’s field sketches and early studies, with their virtuoso spontaneity and unmediated naturalism, may have more appeal than his epic paintings.
Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
“Rather than encourage the machines to behave like machines, I chose to find ways to sort of use them to create a very cinematic and atmospheric soundscapes.”
Living Colour gives us fair and balanced for those who fear becoming unbalanced.
Nicholas Van Young supplied an astounding display of virtuosity that seemed to amaze even the dancer himself.
Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
Slayer has been as good and dependable as any band ever has been in rock and roll.
With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
Film Commentary: Monkee Python and the Heady Grail
The quality of the experience has as much to do with the star’s in-person performance as it does with the film itself.
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