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The cellist is a member of a tribe of fabulous players/singers who are funny, thoughtful, opinionated, brilliant, and irreverent.
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Jennifer Ratner-Rosenhagen’s The Ideas That Made America provides an exciting, if quicksilver, tour through intellectual history.
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The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.
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It’s hard to imagine a Boston, even a New England, film-making and film-going scene without David Kleiler here.
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Coders had nothing in their intellectual toolbox that would help them understand people.
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This crowd-pleaser of an exhibition, dedicated to an accessible, beloved artist, is a gift to the citizens of Boston and Everett, as well as to the general public.
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American Moor sheds considerable insight into the tension between actor vs. director, into the power play between the two, and who will ultimately prevail.
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Via Ray Bolger’s trajectory we traverse the boards of Broadway and the silver screen of Hollywood — as well as the smaller, but equally thrilling, milieux of nightclubs and television studios.
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The Clearing pulls off an impressive challenge for a historical drama: it examines humanity’s weakness in the face of prejudice in a way that is not only faithful to the time period but unmistakably timely.
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L. M. Brown writes with a sure hand about men and women beset with dreams and longings, who fall in and out of love with each other, and who harbor secrets that shape their lives in unpredictable ways.
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