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October brings in epics from the classics (Shakespeare and Dickens), ghost stories from the classics (Poe, Henry James), a tragicomedy from a classic (O’Neill), and a comedy from a classic (Ben Jonson). Annie Baker, Ethan Coen, and the Rude Mechanicals provide some welcome respite from the tried-and-true. Given the state of the economy and the…
By Caldwell Titcomb. October 2: The Longwood Symphony Orchestra opens its 28th season, the sixth under conductor Jonathan McPhee, with a program of Sibelius and Delius. Award-winning Zina Schiff will be soloist in the demanding Sibelius Violin Concerto. Also on the program are Sibelius’s “Karelia Suite” and Delius’ lovely “Walk to the Paradise Garden.” At…
The Real Inspector Hound by Tom Stoppard. Directed by Jonathan Croy. Presented by Shakespeare & Company at the Bernstein Theatre, Lenox, MA, through November 7. Reviewed by Helen Epstein. If you are looking for a light, literate, zany evening of entertainment, you can do no better than Shakespeare & Company’s current production of Tom Stoppard’s…
I’m willing to risk this statement: Dave Liebman’s 2009 CD Turnaround, as yet unreleased in the US, is a masterpiece. Turnaround. Jazzwerkstatt CD; currently not distributed in the US; obtainable through amazon.de, €10.16 + shipping); live performance at Scullers at the DoubleTree Guest Suites, Boston, MA, September 16, 2010. Reviewed by Steve Elman I can…
By J. R. Carroll. The final installment in our jazz festival preview series picks the best bets for the outdoor Beantown Jazz Festival and then checks out what’s happening in Falmouth and Pittsfield as the leaves begin to turn.
Kurt Rosenwinkel’s compositional style is undeniably ingenious and appealing; it is strong on tuneful, singable lines that move logically from chord to chord and occasionally lead listeners to unexpected places. Our Secret World. Wommusic CD; $15.99 via Amazon; $14.99 [ + shipping] through the musician’s website. It’s also for sale as a download through iTunes.…
The novella revolves around that oxymoron of “silent voices”: Jon Fosse’s aim is to evoke the insinuating power of self-destructive forces that lie beyond our control.
Reviewed by Steve Elman. The larger the band, the more important its leader. The sheer drudgery of keeping a large jazz ensemble functioning as a musical and business entity leads almost inevitably to a need for a guiding intelligence. Even if one person isn’t personally booking the gigs, making the phone calls, preparing the lead…
Film Music Commentary: Why “The Odyssey” Should Have Been a Silent Film