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The guy who once seemed dangerous and mysterious as frontman for Jane’s Addiction proved earnestly accessible to fans.
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Perhaps this review is an autopsy for which I offer an apology.
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For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
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John DeLorean remains an unwieldy figure whose story is difficult to frame — the new film leaves much unreported and unexplored.
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This entertaining opera is a real soap opera, given that it chronicles the fallout of the passionate protagonist’s unrequited love.
The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
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Pacific Overtures offers a history lesson — but it is an entertaining, moving, thought-provoking, and timely one.
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It’s an uncommon pleasure to see band members enjoy themselves the way Tip City did.
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From the Editor’s Desk: We Turn Twelve — The Future of the Arts Fuse
This funding means that The Arts Fuse will be cranking out the kind of arts coverage you have come to expect for a good time to come.
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