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Music in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
What makes this somewhat derivative movie soar is its music.
Ah, Florida, “the grease trap under America’s George Foreman Grill”: not just “weird America,” also “impending America.”
Twilight of Democracy made me yearn (uncharacteristically) for hard scientific data to supplement Anne Applebaum’s punditry about the pundits.
Cloud Nothings’ latest effort is less muscular than their previous work, but it still contains its fair share of hooky bliss.
Gimme Radio brings the human element to streaming by relying on DJs to curate playlists and provide context to what listeners are experiencing.
Women’s maltreatment for 3,000 years registers on Greta Garbo’s tragic visage, whether she is Anna Christie, Camille, or Queen Christina.
Every piece here seems to play by its own rhythmic rules, and yet nowhere does the music sound academic or formal.
Freed from the pressures of recording for a major label, Kacy Hill has created an album that feels surprisingly personal.
Arts Remembrance: Old-Time Radio Announcer Frank Gallop — A Wonderful Set of Pipes
Feisty, funny, frightening when necessary, Boston’s Frank Gallop classed-up the airwaves.
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