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Music Interview: Talking with Cisco Swank about His New EP — and the Roots of Creativity

September 13, 2020
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“You’re always gonna be yourself, your unique self, so it’s important to incorporate the things that you really love.”

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Book Review: Crime and Espionage — to the Sounds of Jazz

September 12, 2020
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There’s a larger story to tell about black composers and musicians breaking into the film and TV business, but its only lightly touched on here.

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Book Review: Two Glimpses of Caribbean Culture in a Year without Carnival

September 12, 2020
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A pair of recent books help keep the glorious spirit of Carnival alive.

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Jazz Album Reviews: Strong Discs from Pianist Chick Corea and Bassist Eric Revis

September 11, 2020
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A pair of beauties: an Eric Revis quintet album and a solo excursion from Chick Corea.

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Film Review: At the Toronto Film Fest — “Apples,” An Eerie, Airy Slice of New Greek Weird Wave

September 11, 2020
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What comes through most resonantly in Apples is its envisioning of a society starting over, and its suggestion that a clean slate, accepted honestly, might not be the worst thing.

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Police Violence Commentary: Another NYPD Murder — Two Decades Ago

September 11, 2020
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To be killed — as in murdered — by police you don’t necessarily have to be a person of color.

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Opera Album Review: Who Knew? Brazil’s Finest Opera is in Italian

September 10, 2020
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Antônio Carlos Gomes’s Lo Schiavo (The Slave) receives its first major recording — and stakes its claim in the repertory.

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Dance Feature: The “Table of Silence Project 9/11” — Reimagined

September 9, 2020
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“We will step to the edge of our humanity, expressing the commonalities that we all share, the threads that bind and connect us all.”

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Film Review: “Feels Good Man” — A Far Right Frog-napping

September 9, 2020
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Feels Good Man is a provocative, entertaining, and moving documentary about an artist trying to retain his identity along with the innocence of the cartoon character he created.

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Visual Arts Book Review: Pasolini and Fluxus — For and Against the Avant-Garde

September 9, 2020
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 Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.

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