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It’s welcome to have a Latino-centered Father of the Bride, but it’s debatable if we really needed one this clumsily put together.
Years from now, I’m sure I will have forgotten nearly everything about Infinite Storm, but this one scene will still stick with me.
The brilliant set was a celebratory exploration of Molly Tuttle’s bluegrass roots, albeit with a fresh perspective.
For 2 hours and 39 minutes, I was happy to sell my soul to Lucifer
“I’m really dark. Everything I write is dark. Most people don’t know what dark fiction is, but agents ask for it.”
This is an indelibly zany concoction: part homage, part esprit de corps, part meditation on screwball comedy as a form of modest but invigorating cheer.
I wrote last week that the best films at the Tribeca Film Festival tended to be documentaries. Then I saw a scripted German film that turned out to be an exception.
The Black Phone is not just about kids fighting to live. It’s about kids fighting to be seen, and in the case of the film’s literal ghosts, heard.
What elevates An Iliad beyond the routine is MaConnia Chesser’s dazzling performance as The Poet.
Visual Arts Commentary: Dishing It Out — Boston’s Arts and Crafts Movement Ceramic Leadership
Believe it or not, Boston — the home of stick in the mud, architectural and decorative conservatism — was the initial epicenter of the Arts and Crafts Movement in America.
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