Featured
Alessandro Stradella’s Loving and Pretending (caa. 1676) gets a lively, precise, and characterful performance in this world-premiere recording.
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What we have here is the voice of one trying to navigate, endure, rise above, and somehow pacify a tapestry of cruelty and grief, while it struggles to find the words and voice that will do the work.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Odyssey Opera, and major singers from Ukraine and Russia, bring the great Russian composers’s three one-act operas to Jordan Hall on Sunday, September 25.
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Honk for Jesus. Save Your Soul. would have been wise to stick to being a conventional mockumentary, a sardonic deconstruction of its target, the megachurch.
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In this genial, colorful memoir, Leslie McFarlane reveals the long path to how, anonymously, he became author of the most best-selling series of boys’ books in publishing history, twenty million volumes and counting.
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Having just triumphantly ended its sixth and final season, Better Call Saul could be seen as the story of a man who thrives under pressure while he’s gaming the system.
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Babysitter tackles the ambiguities of misogyny head-on in a 35 mm sugar rush of magical suburban realism.
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A relatively short-but-sweet night that struck just enough highs and no real lows – as long as one accepts that Van Morrison gives more heed to covers than his own hits.
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Television Review: “The U.S. and the Holocaust” — Vital Questions Left Unanswered
The U.S. and the Holocaust leaves a vital question unanswered: Is this the kind of nation we want to live and worship in?
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