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It’s not hyperbole to suggest that Dan O’Brien’s “True Story: A Trilogy” represents a distinctive achievement in theater history.
“Amar Singh Chamkila” doesn’t hit the compelling heights of “Highway” and “Tanasha,” but the director Imtiaz Ali successfully infuses — within the limits of the musical biopic — a buoyant, rebellious spirit.
If “La Chimera” is a bit harder to penetrate than the director-writer’s previous works, it boasts some captivating passages and raises pertinent questions about art, history, globalism, and national identity.
“Ripley” is one of the most entertaining and finely-wrought thriller series to come from Netflix in years.
This book is a fiery manifesto that charges that copyright law today is an outrageously unjust scheme that does nothing for 99 percent of authors, other creative people, and their fans, while it locks up a commodity that fills the coffers of large corporations.
Pianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.
The Aussie teen soap falls victim to the dreaded sophomore slump.
This week’s poem: Andrew K. Peterson’s “After H.D. and Meat Loaf”
Who would predict that this perfectly calibrated tale would be yanked out of its early 20th century setting and become dystopian science-fiction?
The renowned duo of Jay Ungar and Molly Mason perform what has been called American Roots music. But they’ve also been known to include traditional folk and ’40s jazz.
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