Commentary

Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones

September 29, 2021
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These cheesy board games were repetitive and horrible and I loved every one of them.

Theater Commentary: Theater in a Time of Emergency? — The Same Old Same Old

September 28, 2021
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Are Boston’s stage critics disengaged from reality? Or is it that they are afraid to speak up?

Film Feature: A Dispatch from Boston’s Last Video Rental Store

September 20, 2021
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“If you really like something and want to make sure you have access to everything, you’ll never do better than having the disc.”

Jazz Appreciation: Remembering George Wein (1925-2021)

September 17, 2021
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The sum total of George Wein’s career was a successful wedding of art and commerce.

Book Review: Elizabeth Warren and Alexander S. Vindman — Gifted with a Moral Compass

September 5, 2021
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The idea of America is elusive and sometimes, like right now, in danger of disappearing. That is why I have found myself turning for comfort to two books that can give us some perspective as to how to move forward.

Author Appreciation: Historian Stephen B. Oates

August 31, 2021
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No writer, historian, or filmmaker ever took me nearly as close to Abraham Lincoln the man as did Stephen B. Oates. I have always been indebted to him for that.

Music Remembrance: Gospel singer Lee Williams

August 31, 2021
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A household name in Black America, Lee Williams had little need for the kind of crossover project that can earn a gospel act attention from the secular music media.

Book Review: “Was It Yesterday?: Nostalgia in Contemporary Film and Television” — Looking at the Past, Fearlessly

August 31, 2021
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The essays in this excellent volume consistently show that nostalgia is about something, and it matters.

Music Remembrance: Don Everly (1937-2021)

August 29, 2021
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The Everly Brothers’ close harmony work was so sinuous it sometimes seemed close to witchcraft.

Music Remembrance: Charlie Watts (1941-2021)

August 25, 2021
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Watts’ relentlessly unembellished drive on dozens of classic songs, from “Satisfaction” and “Shattered” to “Connection,” is what makes them so danceable.

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