Commentary
Providence-area professional theaters have fared better than most in terms of surviving and rebounding from the pandemic.
It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?
“Soylent Green” should be seen as a work of future history, a docudrama of things that, in 1973, had yet to happen but are happening now, 50 years later.
In this episode of the Short Fuse, host Elizabeth Howard and Editor-in-Chief and founder of the “Arts Fuse,” Bill Marx, discuss the vital role arts commentary and criticism play in nurturing an open and democratic society
In many ways, “Now and Then” is the fitting gift — a single closing bookend, which Paul McCartney has called the Beatles’ last record.
It’s good to discover that George Scialabba is as lively as ever and that “Only a Voice” is filled with provocative arguments that make the reader want to argue right back.
The journalistic value of blathering out weekend tips to the ears of the comfortable in a social media world awash with likes is dubious.
Carla Bley was an original. We will never see her like again. It is a great blessing that she left so much music.
Dan Canon provides not only the statistics but powerful stories to demonstrate the extent to which plea bargaining has bankrupted the justice system
Music Feature: The Best Jazz Albums and Live Shows of 2023
The magazine’s jazz critics look back over the past year and highlight their favorite albums and live shows.
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