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The audience, mostly gray-haired seniors and aging baby boomers, walked out with smiles on their faces, as did I.
Tennessee Williams was a prolific writer, and each season the Festival presents an unfinished play or little known work from his vast canon.
Mexico’s Alfonso Cuarón is among the world’s finest, most versatile filmmakers, and someone who—knock on wood!– hasn’t yet directed a dud. GRAVITY is quite OK too, but in the second tier of his work.
Mother of George has garnered a rarer-than-rare 100% Rotten Tomatoes rating from critics. Sorry to be the cynical spoiler.
With this LP, Daniel Lopatin has crafted an immaculate aural landscape that one can (and will want to) lose oneself in for hours.
Between the heroin, booze, and all else that Mexico had to offer, there was little to no time for William S. Burroughs to appreciate the culture of his adopted home.
Kneebody threw jazz into the stylistic blender and it popped out as something you probably haven’t heard before. The future sounds good.
Arts Commentary: David Koch, WGBH Trustee — The Real God of Carnage?
The opportunity to protest the presence of Tea Party mega-funder David Koch on the board of WGBH this Wednesday should not be missed by anyone who is interested in preserving the soul (and/or sanity) of public broadcasting.
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