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The 64,000 question is, if the artists’ concerns gravitated to the Marathon Bombings, why did “Interference”‘s press releases and the program cite Picasso’s “Guernica”?
As for pulling out themes from Bill T. Jones’ gathering of tales, well, the bedrock of human existence seems to be very much on his mind — life and death, landscape and memory.
I believe a Bauhaus-type approach might help lead to needed reform in the teaching of creative writing.
This death trip romance is powerful, weird, and intoxicating — until its final scenes.
SHUFFLE Concert has invented their own distinctive rules to performance, and their innovative approach, with its inspired programming, has been a hit.
“Tomorrow Night” is firmly in the makes-you-cringe vein of comedy of which “Louie” and “Curb Your Enthusiasm” would become exemplars.
“If, as a reader, you’re expecting the standard rap on meat, then, well, you’re in for an unexpected history.”
Circus Oz is not a reinvention of the big top, a la Cirque du Soleil. It is more of a traditional circus updated for modern times.
Arts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
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